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Léon: The Professional (1994) Full Movie in HD Quality Download Free | Watch Full HD Movie Léon - The Professional (1994) Online Free


Movie Title: Léon: The Professional (1994)


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Ratings: 8.6/10

 

Run Time: 110 min | 136 min

 

Genres: Crime | Drama | Thriller

 

Release Date: 18 November 1994 (USA) 

 

Budget: FRF 115,000,000 (estimated)

 

Gross: JPY 112,586,900 (Japan) (3 January 1997)






Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.

Director: Luc Besson


Writer: Luc Besson


Stars: Jean Reno, Gary Oldman, Natalie Portman










Storyline:

After her father and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer is forced to take refuge in the house of a professional murderer who by her request, teaches her the methods of his job so she can take her revenge from the corrupted DEA agent who ruined her life by killing her brother out of no actual reason. Written by J. S. Golden



Plot Summary:

After her father and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer is forced to take refuge in the house of a professional murderer who by her request, teaches her the methods of his job so she can take her revenge from the corrupted DEA agent who ruined her life by killing her brother out of no actual reason.
- Written by J. S. Golden

Mathilda, a twelve-year old New York girl, is living an undesirable life among her half-family. Her father stores drugs for two-faced cop Norman Stansfield. Only her little brother keeps Mathilda from breaking apart. One day, Stansfield and his team take cruel revenge on her father for stretching the drugs a little, thus killing the whole family. Only Mathilda, who was out shopping, survives by finding shelter in Léon's apartment in the moment of highest need. Soon, she finds out about the strange neighbour's unusual profession - killing - and desperately seeks his help in taking revenge for her little brother. Léon, who is completely unexperienced in fatherly tasks, and in friendships, does his best to keep Mathilda out of trouble - unsuccessfully. Now, the conflict between a killer, who slowly discovers his abilities to live, to feel, to love and a corrupt police officer, who does anything in his might to get rid of an eye witness, arises to unmeasurable proportions - all for the sake of a little twelve-year old girl, who has nearly nothing to lose.
- Written by Julian Reischl <julianreischl@mac.com>

Leon is an Italian immigrant who fled Italy after having committed a crime there. He now resides in New York City and is working for the mob boss "Uncle" Tony. He lives with his favorite plant in a small apartment in the city next door to a girl he occasionally speaks to whose father is a drug dealer working with crooked DEA officers. One day when she's out getting groceries the crooked agents murder her entire family in a botched drug deal and upon discovering the massacre upon her return home she walks to the end of the hall to Leon's apartment who let's her into not only his home, but into his life as well. Soon enough he's teaching Mathilda, a young girl, how to be a professional hitman in order for her to learn enough to get revenge on the crooked cops who murdered her family. But when she goes in for revenge and is captured by the crooked agents, Leon comes and saves her and so begins the ultimate theme in the movie: Will Leon and Mathilda live happily ever after now that's she's opened up his heart, or will the crooked cops have something to say about it?
- Written by Joseph

Leon is a hitman, and happy with his life. When a young girl comes home to find her family has been killed by a drug dealer, she runs to him for help. When she discovers he is a hitman, she asks him to teach her the skills to take her revenge.
- Written by Colin Tinto <cst@imdb.com>

Leon is a first-class hit man, but is also a sensitive guy who loves his potted plants. He is moral: "No women, no children" is his professional motto. He is sympathetic to his neighbor, Mathilda, a typically rebellious twelve-year-old who has trouble with her family. But when her father runs afoul of drug kingpin Norman Stansfield, Mathilda turns to Leon for assistance.
- Written by Reid Gagle

Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
- Written by Movie Guy



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Synopsis:

Léon (Jean Reno) is a hitman (or "cleaner" as he would rather be known) living a solitary life in New York City's Little Italy. Most of his work comes from a mafioso named Tony (Danny Aiello), who operates from the "Supreme Macaroni Company" retail store. Léon spends his idle time engaging in calisthenics, nurturing a houseplant that early on he describes as his "best friend", and (in one scene) watching old Gene Kelly musicals.

Léon is highly motivated and efficient. He kills plenty of bodyguards (Ed Ventresca) so that a fat guy called Fatman (Frank Senger) receives a phonecall threatening him. A dumb blonde (Ouin-Ouin) walks away non-noncommittally and says she will call him later, not wanting to get involved in the matter.

On a particular day on his way home, he sees Mathilda Lando (Natalie Portman), a twelve-year-old girl with a black eye and smoking a cigarette, living with her dysfunctional family in an apartment down the hallway. Mathilda's father (Michael Badalucco) attracts the ire of corrupt DEA agents, who have been paying him to store cocaine in his residence, after they discover that he has been stealing some of the drugs for himself. A cadre of DEA agents storm the building, led by a ragged and drug-addicted Norman Stansfield (Gary Oldman). Stansfield shoots Mathilda's entire family with a shotgun; the whore-looking mother (Ellen Greene), the aerobic-obsessed elder sister (Elizabeth Regen) and the friendly little brother (Carl J. Matusovich)- missing Mathilda only because she is out shopping when they arrive. An elderly lady (Jessie Keosian) comes back inquiring what the rackas is about, and Stansfield shoots the glass behind her, but considers her harmless so he lets her be, just barking at her "go back inside".

When Mathilda returns with the groceries she was sent to buy and notices the carnage, she calmly continues down the hallway past the open door of her family's apartment, and receives sanctuary from a reluctant Léon. One of the agents () looks at Mathilda, quizzingly, as she has to insistently ring the bell on and on before Léon lets her in. Stansfield realises that there's a little girl missing because of a family photograph he's found. When the news reaches the door guard, he approaches Léon's apartment, wondering whether the girl who was accepted there was the missing girl. Léon prepares himself to shoot him, watching through a hidden peephole, but at that moment, Mathilda turns on the TV with some Transformers cartoons, which convinces the guard that he saw another girl who had nothing to do with the situation.

León offers some consolation to Mathilda, making her smile when he argues than pigs smell well and are better than many people, and make-pretends that the puppet pig he's using is talking to her. Mathilda, who soon discovers that Léon is a hitman, begs him to become her caretaker, and to teach her his skills as a "cleaner": she wants to avenge the murder of her four-year-old brother, the only member of her family that she actually loved. In return, she offers herself as a maid and teacher, remedying Léon's illiteracy. Mathilda says that he could have let her to die outside that door, but as he opened it, now he's responsible for her well-being. At first, Léon refuses point blank: being a "cleaner" is not a job for girls, and then he alleges that she's not made for that. To answer to that, Mathilda shoots some pigeons with one of the guns Léon is cleaning. Léon hesitantly accepts her offer and the two begin working together, slowly building an emotional attachment, with Léon becoming a friend and father figure.

They leave Léon's apartment, and Léon begins to settle some rules. Mathilda carries León's plant, accepting everything, and convinces the receptionist (George Martin) that she's preparing for an audition, and that she won't practice after 10. When the receptionist asks Léon to fill up the registration form, Mathilda jumps right in and says "You know how much I love registering. Can I do it, daddy?" Léon breaths, and apprecciates that Mathilda is resourceful. The receptionist congratulates Léon because he's got a good daughter, but he's got a 17-year-old who can't do anything. León leaves his plant at reception. He checks everything in the room, the exits, the windows, while Mathilda fills up the form. As they work together, Mathilda admits to Léon several times that she is falling in love with him, in spite of him making her drink a glass of milk every day.

Tony has been keeping Léon's money, instead of it being put into a bank. As Léon was illiterate, he didn't want to have to deal with it. Léon asks if he could give it to somebody; Tony tells him that he's like a bank, only that there's no paperwork involved, but that he's got all the accountancy in his mind, and that is security enough. Tony wants Léon to renew work, as training won't earn him any money. Léon prevents Mathilda from flirting with a guy (Michael Mundra), a teenaged cute boy little older than herself; she replies that they were only sharing a cigarette - to which Léon answers that he wants her to quit smoking. Léon adds that she should stay away from him, as he looks like a weirdo. Léon goes to work on his own on foot. Mathilda says that she's fed up of practicing to the receptionist. Mathilda tells him that Léon is not her father, but her lover, and that she's going for walk. Mathilda goes back to her old flat, and picks up a teddy bear and a pad of money hidden under a loose wooden plank. She has to hide, because the FBI is questioning Stansfield, who is being a jackass about the people he killed in the line of duty. He shouts to the FBI guy that kids should be at school, and also shouts his office number.

Mathilda follows Stansfield by taxi to the police station. Mathilda is watching cartoon Transformers again when Léon arrives with blood dripping down an arm and a pink dress for her. The receptionist arrives with two men, throwing Leon and Mathilda out. In another hotel room, Léon has a shower and stitches himself in the chest, where he's been hurt. Mathilda wants to pay Léon to kill her brother's killers, but Léon doesn't want to. He tells her that life changes after the first time you kill somebody. She wants to play Russian roulette with him. She threatens him with killing herself - and at the last second he pushes the pistol away. Mathilda and Léon go talk with Tony.

As Mathilda increases her confidence and experience, she locates Stansfield, follows him to his office in the DEA building in an attempt to kill him, only to be ambushed by Stansfield in a bathroom. Léon, discovering her intentions after reading a note left for him by Mathilda, rushes to the building and rescues her, shooting two of Stansfield's men in the process.

Stansfield is enraged that the "Italian hitman" has gone rogue and is killing his men. He confronts Tony and threatens him, eventually beating him into surrendering Léon's whereabouts. Later, as Mathilda returns home from grocery shopping, an NYPD ESU team, sent by Stansfield, takes her hostage and attempts to infiltrate Léon's apartment. Léon ambushes the ESU team and takes one of their members hostage, rapidly bartering him for Mathilda's freedom. As they slink back into the apartment, Léon creates a quick escape for Matilda as he reassures her and tells her that he loves her moments before they come for him.

In the chaos that follows, Léon sneaks out of the apartment building disguised as a wounded ESU officer, almost unnoticed save for Stansfield who recognizes him and silently sneaks up and shoots him from behind. Looming over the dying Léon, Stansfield jeers him haughtily. However just before he gives out, Léon places an object in Stansfield's hands, which he explains is "from Mathilda". Opening his hands, Stansfield recognizes it as the pin from a grenade and rips open Léon's vest to discover several grenades on his chest. Stansfield lets out a brief and final quip "Oh, shit" right before a massive explosion devastates them both.

Mathilda heads to Tony's place as she was instructed to do by Léon. Tony will not give Mathilda more than a few dollars of the fortune Léon had amassed, which was being held by Tony. His reasoning is that she is not old enough to receive the large amount of money and that school should be her priority until she's older. When Mathilda asks Tony to give her a 'job', and insists that she can 'clean' as Léon had, Tony sternly informs her that he 'ain't got no work for a 12-year-old kid!' Having nowhere else to go, she is then seen going to Roosevelt Island using the Roosevelt Island Tramway. The next day, she returns to school in NJ. Seemingly readmitted to the school, Mathilda walks into a field in front of it with Léon's houseplant in hand, she digs a hole and plants the houseplant in the grounds of the school, as she had told Léon he should, "to give it roots."






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Movie Title: The Usual Suspects (1995)


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Ratings: 8.7/10

 

Run Time: 106 min 

 

Genres: Crime | Drama | Thriller  

 

Release Date: 15 September 1995 (USA)

 

Budget: $6,000,000 (estimated)

 

Gross: £2,503,343 (UK) (15 September 1995) 

  



A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which begin when five criminals meet at a seemingly random police lineup

Director: Bryan Singer


Writer: Christopher McQuarrie


Stars: Kevin Spacey, Gabriel Byrne, Chazz Palminteri


 








Storyline:

Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze? Written by Soumitra




Plot Summary:

Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?
- Written by Soumitra

After a number of people are killed and a cargo ship set on fire, Roger 'Verbal' Kint is questioned by U.S. Customs Agent Dave Kujan. Reluctant at first, Verbal begins to tell them what happened starting with when he met four men, all criminals, sharing a holding cell for a few hours. Together, they join forces to successfully hijack a jewel shipment and head to Los Angeles to lay low. There they are contacted by a lawyer, Kobayashi, representing the much-feared international criminal Kayser Sose who wants them to do a job for him. The result is the attack on the cargo ship. Verbal refuses to give evidence in the case and is set free. Only then does Kujan realize what's really happened.
- Written by garykmcd

Police investigating an exploded boat on a San Pedro pier discover 27 bodies and $91 million worth of drug money. The only survivors are a severely burned and very scared Hungarian terrorist and Verbal Kint, a crippled con-man. Reluctantly, Kint is pressured into explaining exactly what happened on the boat. His story begins six weeks earlier with five criminals being dragged in by New York police desperate for suspects on a hijacked truck and ends with the possible identification of a criminal mastermind.
- Written by John Weeks <J.T.Weeks1@Student.derby.ac.uk>

After a waterfront explosion, Verbal, an eye-witness and participant tells the story of events leading up to the conflagration. The story begins when five men are rounded up for a line-up, and grilled about a truck hijacking (the usual suspects). Least pleased is Keaton a crooked cop - exposed, indicted, but now desperately trying to go straight. The cops won't leave him alone, however, and as they wait for their lawyers to post bail, he is talked into doing one more job with the other four. All goes tolerably well until the influence of the legendary, seemingly omnipotent "Keyser Soze" is felt. Although set in the modern day, it has much of the texture of the forties, plus suspense, intrigue (a fairly high body count), and lots of twists in the plot.
- Written by <Phil.Kilby@dit.csiro.au>

This is a film about five men who are hauled into the New York police station because a crime was committed and they are the usual suspects. They all agree to do a job together for a little revenge. However, little do they know that someone else has the strings and that they are all the puppets--all because each of them crossed the wrong person at the wrong time. After the big job, 27 people are dead, and there are two survivors. But the question is...who's the one controlling everything?
- Written by thexotherxchris

A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which begin when five criminals meet at a seemingly random police lineup.
- Written by Skip_4591


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Synopsis:

On the deck of a ship in San Pedro, California, a figure identified as Keyser speaks with an injured man called Keaton. The two talk briefly, then Keyser appears to shoot Keaton before setting the ship ablaze. The next day, FBI Agent Jack Baer (Giancarlo Esposito) and U.S. Customs special agent Dave Kujan (Chazz Palminteri) arrive in San Pedro separately to investigate what happened on the boat. There appear to be only two survivors: a crippled man named Verbal Kint (Kevin Spacey) and a hospitalized Hungarian criminal and crewman. Baer interrogates the Hungarian, who claims that Keyser Söze, a Turkish criminal mastermind with a nearly mythical reputation, was in the harbor "killing many men." The Hungarian begins to describe Söze while a translator interprets and a police sketch artist draws a rendering of Söze's face. Meanwhile, Verbal Kint tells the authorities everything he knows in exchange for immunity. After making his statement to the district attorney, Kint is placed in a police station office where Kujan requests to hear the story again, from the beginning. Verbal's tale starts six weeks earlier:

In New York City, an armored truck containing spare gun parts is hijacked in Queens. Subsequently, the police round up five different criminals: Dean Keaton (Gabriel Byrne) is a corrupt former police officer who has apparently given up his life of crime, and is arrested while eating dinner at a fancy restaurant; Michael McManus (Stephen Baldwin) is a crack shot with a temper and a wild streak, arrested in the middle of the night; Fred Fenster (Benicio Del Toro) is McManus's hispanic partner who speaks in mangled English, and is nabbed on a street corner; Todd Hockney (Kevin Pollak) is a hijacker who forms an instant rivalry with McManus, and is picked up while working on a car in his garage; and Kint himself is a con artist with cerebral palsy. The five men are brought together for a lineup, and are told to say the phrase, "Give me the keys, you fucking cocksucker." They all manage to butcher the phrase. Later, while sitting in a holding cell, McManus convinces the others to join forces to commit a robbery targeting New York's Finest Taxi service, a group of corrupt NYPD police officers who escort smugglers to their destinations around the city.

After the successful robbery of a smuggler (Paul Bartel), the quintet travels to California to sell their loot to McManus's fence, Redfoot (Peter Greene). Redfoot talks them into another job: robbing a purported jewel smuggler. Instead of jewels or money, as they were told he was carrying, the smuggler had heroin. An angry confrontation between the thieves and Redfoot reveals that the job came from a lawyer named Kobayashi (Pete Postlethwaite). They later meet with Kobayashi, who claims to work for Keyser Söze and blackmails them into destroying the cargo of a ship coming to San Pedro harbor.

In the present, Verbal Kint tells Kujan the story of Keyser Söze as he apparently heard it. Verbal's flashback reveals Söze's family being harassed by a rival Hungarian gang in Turkey. Söze goes on a murderous vendetta against all those who were involved. Afterwards, he apparently disappears; thereafter, he rarely conducts business without an alias and maintains anonymity between himself and anyone working for him. With time, Söze's story takes on mythic stature, with most people either doubting his existence or disbelieving it entirely.

Back in the present, Kint continues to tell his version of what happened then. His flashback resumes to reveal Fenster's attempt to run away, but he is tracked and killed (off-camera) by Kobayashi. The remaining four thieves kidnap Kobayashi, believing Söze to be a cover for his activities and intending to kill him if he does not leave them alone. Before McManus can execute him, Kobayashi reveals that lawyer Edie Finneran (Suzy Amis), Keaton's girlfriend, is in his office. Kobayashi also says that he has the will, the information, and the means to injure or kill the remaining four criminals' relatives if they do not go through with the arrangement.

On the night of the cocaine deal, the sellers--a group of Argentine mobsters--are on the dock, as are the buyers--a group of Hungarian mobsters. Keaton tells Verbal to stay back, and to take the money to Edie if the plan goes awry so she can pursue Kobayashi "her way;" Verbal reluctantly agrees to do so. He watches the boat from a distance, in hiding, as Keaton, McManus and Hockney attack the men at the pier in a huge gunfight.

During the battle, Hockney is killed as Keaton and McManus discover separately that there is no cocaine on the boat. Meanwhile, Hungarians, yet untouched by the thieves, are being picked off by an unseen killer, and a closely-guarded Hispanic passenger is killed by an unseen assailant. McManus is killed with a knife to the back of his neck, and Keaton, turning away to leave, is shot in the back. A figure in a dark coat appears, presumably Keyser Söze, and lights a cigarette with a gold lighter. He appears to speak briefly with Keaton before apparently shooting him (the scene which began the film in medias res).

In the present, with Verbal's story finished, Kujan reveals what he has deduced, with the aide of Baer: The boat hijacking was not about cocaine, but rather to ensure that one man aboard the ship--the Hispanic passenger held captive, one of the few individuals alive who could positively identify Söze--is killed. After Söze presumably killed the man, he eliminated everyone else on the ship and set it ablaze; Kujan reveals that Edie has also been killed. Kujan has concluded that Keaton was Keyser Söze. Verbal admits that the whole affair, from the beginning, was Keaton's idea. His bail having been posted, Verbal departs with his immunity.

Verbal retrieves his personal effects from the property officer as Kujan, relaxing in the office he used for the interrogation, notices that details and names from Verbal's story are words appearing on various objects around the room. 'Redfoot' is the name on a wanted poster, for example, and 'Kobayashi' is written on the bottom of a coffee cup that Verbal handled earlier. Quickly putting the pieces together, Kujan realizes that Verbal made up practically the entire story as he talked. He runs outside as a fax arrives with the police artist's impression of Keyser Söze's face, which resembles Verbal Kint. As he leaves the police station, Verbal's distinctive limp gradually disappears and he shakes out his palsied hand. He steps into a waiting car driven by "Mr. Kobayashi," departing just as Kujan comes outside to see too late that Kint is gone. Verbal Kint is Keyser Söze, so how much of his narration was truthful is open to interpretation.






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Release Info: 

Release Dates 

USA 16 March 2015 (South by Southwest Film Festival)
Croatia 26 March 2015
Argentina 31 March 2015 (Buenos Aires) (premiere)
Australia 1 April 2015 (Brisbane) (premiere)
Belgium 1 April 2015
Switzerland 1 April 2015 (French speaking region)
Germany 1 April 2015
Finland 1 April 2015
France 1 April 2015
Kuwait 1 April 2015
Netherlands 1 April 2015
Norway 1 April 2015
Serbia 1 April 2015
Sweden 1 April 2015
Taiwan 1 April 2015
United Arab Emirates 2 April 2015
Argentina 2 April 2015
Austria 2 April 2015
Australia 2 April 2015
Bolivia 2 April 2015
Brazil 2 April 2015
Chile 2 April 2015
Colombia 2 April 2015
Czech Republic 2 April 2015
Denmark 2 April 2015
Georgia 2 April 2015
Greece 2 April 2015
Hong Kong 2 April 2015
Hungary 2 April 2015
Israel 2 April 2015
India 2 April 2015
Iraq 2 April 2015
Italy 2 April 2015
Republic of Macedonia 2 April 2015
Mexico 2 April 2015
Malaysia 2 April 2015
Peru 2 April 2015
Portugal 2 April 2015
Singapore 2 April 2015
Slovenia 2 April 2015
Slovakia 2 April 2015
Thailand 2 April 2015
Ukraine 2 April 2015
Canada 3 April 2015
Cyprus 3 April 2015
Ecuador 3 April 2015
Estonia 3 April 2015
Spain 3 April 2015
UK 3 April 2015
Ireland 3 April 2015
Latvia 3 April 2015
New Zealand 3 April 2015
Pakistan 3 April 2015
Romania 3 April 2015
Turkey 3 April 2015
USA 3 April 2015
Philippines 4 April 2015
Azerbaijan 9 April 2015
Kazakhstan 9 April 2015
Russia 9 April 2015
Zimbabwe 9 April 2015
Iceland 10 April 2015
Poland 10 April 2015
China 12 April 2015
Cambodia 13 April 2015
Japan 17 April 2015






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